She uses shapes from every-day, often industrial objects and inflates them in a different material and sugary-sweet pastel colours amplifying their visual and tactile appeal and emphasizing a childlike experimental play. She explores the boundaries of the material to then break them in every thinkable direction as if everything were made of plasticine, turning everything upside down. What was hard becomes soft, what appears to be soft is made of concrete. She pushes and pulls and cuts the material to the point of extreme tactility or solidified movement. We rediscover with her, the joy of manipulating matter.

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