Enrique Marty Spain, b. 1969
Storm Scenes, 2026
Tempera paint, varnish and pigments on various types of resin and epoxy
30 x 16 x 16 cm
This sculpture translates the arboreal system into three-dimensional space. The tree becomes a vertical structure of memory and collective experience. Human figures of different ages inhabit its branches, each isolated,...
This sculpture translates the arboreal system into three-dimensional space. The tree becomes a vertical structure of memory and collective experience. Human figures of different ages inhabit its branches, each isolated, suspended, and yet held within a shared organism.
The piece recalls genealogical diagrams and mythical trees of knowledge, but without linear order. There is no clear origin, no hierarchy--only coexistence. The color differentiates each figure while linking them to the same organic body.
The tree is both archive and body: a structure that contains the traces of human presence without resolving them into narrative.
The piece recalls genealogical diagrams and mythical trees of knowledge, but without linear order. There is no clear origin, no hierarchy--only coexistence. The color differentiates each figure while linking them to the same organic body.
The tree is both archive and body: a structure that contains the traces of human presence without resolving them into narrative.