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LUCA MONTERASTELLI

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Luca Monterastelli

Opening: Saturday 5 & Sunday 6 September, 2020. 12 – 6 pm
Exhibition: 05.09 – 18.10.2020


KETELEER

Pourbusstraat 3-5 - 2000 Antwerp



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KETELEER GALLERY is very pleased to introduce Old Masters, the first solo exhibition by Italian artist Luca Monterastelli (1983, Forlimpopoli, IT) at the gallery. The exhibition exists of an entirely new series of concrete and steel sculptures.

Our greatest pleasure, surely, is in fragments, just as we derive the most pleasure from life if we regard it as a fragment, whereas the whole and the complete and perfect are basically abhorrent to us. Only when we are fortunate enough to turn something whole, something complete or indeed perfect into a fragment, when we get down to reading it, only then do we experience a high degree, at times indeed a supreme degree, of pleasure in it.

Thomas Bernhard, Old Masters: A Comedy, 1985

Everything falls apart. This is not meant to sound defeatist, we’re merely observing how everything around us eventually and inevitably disintegrates. In nature, the arrow of time shoots – as we well know – only one way, from order to chaos. The whole universe is permeated by this ruthless, unmistakable law. History is an ever-expanding ruin from which we try – to no avail – to organize the debris. Where is beauty and comfort to be found?

The Romantics were fascinated with impermanence. They especially loved the picturesque character of ruins, decaying constructions and archaeological sites. To artists, thinkers and poets, these became specific tropes enabling melancholic daydreaming about the transient and fleeting nature of human existence. The ruin served as a vanitas for the blind faith in progress. Sehnsucht – the romantic mood – comes from the power of the fragment, and turns into the pathological desire for an unattainable ideal, a fiery yearning for an absolute oneness or the illusion of lost harmony. Modernity is a state caught between the past and the future, nostalgia and utopia. Both of which are equally treacherous. Utopias breed ideological monsters, and ‘in the sunset of decay, everything is illuminated by the aura of nostalgia, even the guillotine” (Kundera).

Fortunately life has the ability to (re)organize. This is why we talk of organisms, which are able to order chaos spontaneously. It’s this élan vital with which biological and social systems resist entropy – for however long they can.

Avant-garde art has always played an ambivalent role in totalitarian regimes, both in the East and the West. Numerous artists initially felt drawn to the idea of being recognised as official state artists, to play an ideological role in the creation of a new political world order. However, their desire was quickly met with frustration when modern art turned out to be less welcome than expected and all cultural production became subservient to the political party’s power cult, organised in guilds. Propaganda art, the state censored ‘return to the Classics’, resulted in conventional sculptures, mosaics and bas-reliefs – monuments for the greater honour and glory of the totalitarian empire.

Postmodern criticism instilled in us the belief that there are no more great stories: everything is hopelessly fractured and the pieces can’t be put back together. We’re bombarded with fragments of words and images on a daily basis without being able to discern even the slightest trace of a coherent whole. The bits and pieces of these semiotic ruins are used to construct a temporary identity, never fully satisfying us. Isn’t this why we are drawn to populist discourse referring to culture as a single body, a quintessential entity, a historical canon?

Every fragment implies the absence of what once was or is about to be whole, but we should admit to this: shards also shine on their own. There’s something unmistakably beautiful about fragments; they keep totality at bay. Let’s look at Luca Monterastelli’s works, brought together in the aptly named exhibition Old Masters – based on the novel by Thomas Bernhard. His choice of materials is modernist, his visual motifs are fragmentary and thus highly suggestive. Monterastelli invokes emblems, symbols and monuments used by established powers to self-aggrandise and consolidate their positions, and subsequently disarms them with a great deal of finesse. Looking at his works is finding joy in the fragment. Out of assembled materials and cast forms Monterastelli allows a new visual imagery to arise like a phoenix from the ashes of its own demise. The visitors of the exhibition are left to roam around an abstract, dark forest made of steel and reinforced concrete.

In the artist’s world, things can never truly exist without words. Monterastelli’s poetic titles shouldn’t just be read, but also heard, like music for the mind. His verses are more than just captions; they make his works all the more allegorical. He thinks of his texts as parasites, subtly engrafting the works, similar to how columns do so with buildings, between the interior and the exterior. Text and image similarly complement and interrupt each other, like partners in an endless dialogue.

Pieter Vermeulen.

Luca Monterastelli has already had several solo exhibitions, such as at Villa Mondolfo, Como, Italy (2017), HIAP, Helsinki, Finland (2014), viafarini DOCVA, Milan, Italy (2013), Centre d’art contemporain Parc Saint Léger, Pougues-les-eaux, France (2012), Chez Néon Diffuseur d’Art Contemporain, Lyon, France (2012) and MARS, Milan, Italy (2011). He took part in several group shows, including La Triennale, Milan, Italy (2015), the 56th Venice Biennale, Italy (2015). His work has been shown at places including casa Testori, Novate Milanese, Milan, Italy (2014), Fondazione Bevilaqua la Masa, Venice, Italy (2014), Museo Marino Marini, Florence, Italy (2013) and Brown Project Space, Milan, Italy (2010).

SELECTED WORKS

 the nags head (wa10)

the nags head (wa10)

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 ‘On Yer ‘Ed Son (Nod to Thorvalsden)

‘On Yer ‘Ed Son (Nod to Thorvalsden)

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 Rotterdam, Amsterdam, Carr Mill Dam

Rotterdam, Amsterdam, Carr Mill Dam

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 spitting feathers (fish supper)

spitting feathers (fish supper)

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 a butcher’s dozen

a butcher’s dozen

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 ladle of ghent

ladle of ghent

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 a firm handshake

a firm handshake

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 head above water

head above water

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 the architects dog

the architects dog

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 south park avenue

south park avenue

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 revered british painters

revered british painters

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 bread in’t oven

bread in’t oven

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 ‘The Circus We Are’ at le Delta, Namur (BE)

‘The Circus We Are’ at le Delta, Namur (BE)

Guillaume Bijl, Enrique Marty, Fabien Mérelle, Antoine Roegiers, Koen Theys and Andy Wauman are part of the group exhibition 'The Circus We Are'.

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 Sorry

Sorry

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 series ‘non-melancholic scenes’

series ‘non-melancholic scenes’

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 series ‘non-melancholic scenes’

series ‘non-melancholic scenes’

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 series ‘non-melancholic scenes’

series ‘non-melancholic scenes’

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 series non-melancholic scenes’

series non-melancholic scenes’

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 don’t need nobody

don’t need nobody

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 löwenmann

löwenmann

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 clear a space for your ambition, they must follow

clear a space for your ambition, they must follow

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 sweet ‘n sour

sweet ‘n sour

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 within arm’s reach

within arm’s reach

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 it takes two

it takes two

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 Bacchus

Bacchus

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 Thomas Kratz at SMAC, Berlin (DE)

Thomas Kratz at SMAC, Berlin (DE)

Thomas Kratz is part of the duo exhibition 'Haut Kontakt', with Michael Sailstorfer, at SMAC, Berlin.

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 Sybren Vanoverberghe at Ontsteking, Ghent (BE)

Sybren Vanoverberghe at Ontsteking, Ghent (BE)

Sybren Vanoverberghe is part of a duo exhibition with Manor Grunewald.

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 end of never

end of never

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 Eternal field

Eternal field

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 Camino 40322

Camino 40322

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 Camino 21221

Camino 21221

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 Composition Trouvée

Composition Trouvée

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 series ‘non-melancholic scenes’

series ‘non-melancholic scenes’

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 Series ‘Non-melancholic scenes’

Series ‘Non-melancholic scenes’

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 Sorry

Sorry

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 Lois Weinberger at Millennium Park, Lustenau (AT)

Lois Weinberger at Millennium Park, Lustenau (AT)

Lois Weinbergers' work 'Mobile Garden' is permanently installed at Lustenau's Millennium Park, Austria.

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 Fragment 7

Fragment 7

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 La Sortie de l’Aeronef

La Sortie de l’Aeronef

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 Reis naar Egypte II

Reis naar Egypte II

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 Reis naar Egypte I

Reis naar Egypte I

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 Batopillo

Batopillo

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 polistes

polistes

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 Untitled (General Spinaxis)

Untitled (General Spinaxis)

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 Scotch Gambit – From Fable to Stee

Scotch Gambit – From Fable to Stee

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 am beginn der gärten lag eine hose im sand

am beginn der gärten lag eine hose im sand

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 Old nature

Old nature

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 NATURE

NATURE

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 At Night a Shadow Followed Me

At Night a Shadow Followed Me

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 AANVRAAG TOT REGULARISATIE VOOR AANBOUW BROEIKAS

AANVRAAG TOT REGULARISATIE VOOR AANBOUW BROEIKAS

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 Rénovation, Dépendance, Col de la Furka

Rénovation, Dépendance, Col de la Furka

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 Maquette Dépendance Projet #1

Maquette Dépendance Projet #1

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 ARTFCT08

ARTFCT08

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 ARTFCT13

ARTFCT13

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 ARTFCT11

ARTFCT11

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 ARTFCT02

ARTFCT02

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 Souvenirs of the 20th Century

Souvenirs of the 20th Century

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 Souvenirs of the 20th Century

Souvenirs of the 20th Century

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 George Little at ANDOR, London (UK)

George Little at ANDOR, London (UK)

George Little is part of the group exhibition "Support." at ANDOR, London (UK).

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 installation THAI MASSAGE

installation THAI MASSAGE

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 installation liturgische objecten, abdij van leuven

installation liturgische objecten, abdij van leuven

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 sorry

sorry

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 souvenir of the friends of félicien rops, namur

souvenir of the friends of félicien rops, namur

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 sorry

sorry

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 sorry

sorry

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 sorry

sorry

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 treatment

treatment

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 sorry

sorry

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 sorry

sorry

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 sorry

sorry

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 Composition trouvée

Composition trouvée

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 sorry

sorry

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 sorry

sorry

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 sorry

sorry

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 composition trouvée

composition trouvée

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 sorry

sorry

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 sorry

sorry

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 Sorry

Sorry

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 Sorry

Sorry

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 Sorry

Sorry

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 Sorry

Sorry

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 Sorry

Sorry

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 Souvenir of the 20th century

Souvenir of the 20th century

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 Nasan Tur

Nasan Tur

« CLASH »
26.05 - 02.07.2022

KETELEER GALLERY

Pourbusstraat 3-5 - 2000 Antwerp



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 Jon Pilkington

Jon Pilkington

« Oswald My Boy »
14.05 - 03.07.2022

Bremdonck

Bredabaan 93 - 2930 Brasschaat



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 the flood

the flood

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 the site

the site

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 The Fire

The Fire

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 The Beach

The Beach

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 The Road

The Road

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 the hike

the hike

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 ART BRUSSELS 2020 -> 2022

ART BRUSSELS 2020 -> 2022

Brussels, Belgium
28.04 - 01.05.2022

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 Guillaume Bijl at MAMC+ St. Étienne Métropole (FR)

Guillaume Bijl at MAMC+ St. Étienne Métropole (FR)

Guillaume Bijl is part of the group exhibition "The self-taught enigma" at MAMC+ Saint-Étienne Métropole (FR).

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 Peter Land & Fabien Mérelle at La Sucriere, Lyon (FR)

Peter Land & Fabien Mérelle at La Sucriere, Lyon (FR)

Peter Land and Fabien Mérelle are part of the group exhibition "Hyperrealisme. Ceci n'est pas un corps" at La Sucriere, Lyon (FR).

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 the invisible hand, just watching

the invisible hand, just watching

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 the invisible hand climbing a staircase

the invisible hand climbing a staircase

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 The invisible hand going around the corner

The invisible hand going around the corner

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 Burning Police Car

Burning Police Car

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 Doctors of Arts

Doctors of Arts

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 The Bull of Sorrows

The Bull of Sorrows

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 Burning Tires in the Snow IV

Burning Tires in the Snow IV

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 Burning Tires in the Snow III

Burning Tires in the Snow III

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 Burning Tires in the Snow II

Burning Tires in the Snow II

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 Burning Tires in the Snow I

Burning Tires in the Snow I

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 Burning Tires

Burning Tires

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 Bonfire

Bonfire

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 Burning Shopping Cart

Burning Shopping Cart

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 Summer Night With Burning Cars

Summer Night With Burning Cars

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 Burning Tires at the Gate

Burning Tires at the Gate

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 Burning Terrace Furniture

Burning Terrace Furniture

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 Burning Street Composition

Burning Street Composition

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 Burning Tires I

Burning Tires I

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 Burning Garbage

Burning Garbage

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 Burning Bikes

Burning Bikes

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 Burning Street II

Burning Street II

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 Burning Tires II

Burning Tires II

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 LUC DELEU & T.O.P. OFFICE IN THE ART COLLECTION OF S.M.A.K., GHENT (BE)

LUC DELEU & T.O.P. OFFICE IN THE ART COLLECTION OF S.M.A.K., GHENT (BE)

KETELEER GALLERY is proud to announce that "Barricade" by Luc Deleu & T.O.P. office is now part of S.M.A.K., Ghent's permanent collection.

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 Tribute to Panamarenko

Tribute to Panamarenko


25.03 - 24.04.2022

PLATFORM 6A

Tiegemstraat 6a - 8553 Otegem



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 SNDCSTLSRBBSH13

SNDCSTLSRBBSH13

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 Lusters voor schilderijen

Lusters voor schilderijen

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 Burning Street I

Burning Street I

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 SNDCSTLSRBBSH23

SNDCSTLSRBBSH23

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 Sorry

Sorry

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 am i woman enough for you?

am i woman enough for you?

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 my table 2

my table 2

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 Angel

Angel

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 aperitive

aperitive

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 fruit (full)

fruit (full)

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 Vitrin, antwerpen

Vitrin, antwerpen

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 a poised portrait (kindle labour)

a poised portrait (kindle labour)

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 miracle mike

miracle mike

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 party poopers

party poopers

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 To the Rescue

To the Rescue

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 Broke but not beaten

Broke but not beaten

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 Late for Work

Late for Work

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 Guillaume Bijl

Guillaume Bijl


19.03 - 30.04.2022

KETELEER

Pourbusstraat 3-5 - 2000 Antwerp



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 ARTFCT03

ARTFCT03

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 ARTFCT01

ARTFCT01

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 SNDCSTLSRBBSH16

SNDCSTLSRBBSH16

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 SNDCSTLSRBBSH17

SNDCSTLSRBBSH17

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 SNDCSTLSRBBSH01

SNDCSTLSRBBSH01

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 SNDCSTLSRBBSH11

SNDCSTLSRBBSH11

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 SNDCSTLSRBBSH49

SNDCSTLSRBBSH49

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 SNDCSTLSRBBSH48

SNDCSTLSRBBSH48

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 SNDCSTLSRBBSH40

SNDCSTLSRBBSH40

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 SNDCSTLSRBBSH37

SNDCSTLSRBBSH37

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 Bjarne Melgaard in the art collection of M HKA, Antwerp (BE)

Bjarne Melgaard in the art collection of M HKA, Antwerp (BE)

We are proud to announce that M HKA, Antwerp (BE) acquired Bjarne Melgaard's 'Untitled', 2021 to be part of their permanent collection.

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 John Kørner at MOCAD, Detroit (USA)

John Kørner at MOCAD, Detroit (USA)

John Kørner will introduce 'Intercontinental Super Fruits' as a large-scale multi-sensory installation in MOCAD’s Woodward Gallery. 

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 ANNOUNCING THE REPRESENTATION OF JOËLLE DUBOIS

ANNOUNCING THE REPRESENTATION OF JOËLLE DUBOIS

KETELEER GALLERY is very proud to announce the representation of Belgian painter Joëlle Dubois (°1990. Ghent, BE).

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 JOËLLE DUBOIS

JOËLLE DUBOIS

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 Rejet

Rejet

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 Les triangulations de Sam

Les triangulations de Sam

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 Green panther

Green panther

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 Sur la voie de l’encre, la vie serpentine

Sur la voie de l’encre, la vie serpentine

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 Dancing tree

Dancing tree

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 Vague blanche, de la vague á l’âme

Vague blanche, de la vague á l’âme

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 Comme un rideau

Comme un rideau

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 Sommeil

Sommeil

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 For my Lili, black roots

For my Lili, black roots

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 L’arbre du Champs

L’arbre du Champs

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 Rhizome

Rhizome

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 Loire

Loire

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 Leo Copers in the art collection of University of Antwerp

Leo Copers in the art collection of University of Antwerp

We are proud to announce that the Antwerp University has acquired the work 'Untitled' (2012) by Leo Copers for their contemporary art collection.

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 Sybren Vanoverberghe in the art collection of the Flemish Community

Sybren Vanoverberghe in the art collection of the Flemish Community

Congratulations to Sybren Vanoverberghe for becoming part of the art collection of the Flemish Community with 2 works

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 Emperor Me, Glove III, R.P.

Emperor Me, Glove III, R.P.

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 Emperor Me, Glove I, R.P.

Emperor Me, Glove I, R.P.

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 Second Wind, Inland

Second Wind, Inland

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 Second wind, sun

Second wind, sun

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 second wind, sea

second wind, sea

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 second wind, cloud

second wind, cloud

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 Details V

Details V

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 Details IV

Details IV

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 Detail I

Detail I

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 lily and Stilleven met doodshoofd

lily and Stilleven met doodshoofd

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 second wind, (sitting) pink

second wind, (sitting) pink

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 second wind, (standing) yellow

second wind, (standing) yellow

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 second wind, (standing) green

second wind, (standing) green

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 Second Wind, (standing) Orange

Second Wind, (standing) Orange

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 Second Wind, (sitting) Blue

Second Wind, (sitting) Blue

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 Exhaustion; Policy

Exhaustion; Policy

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 Exhaustion; Lust

Exhaustion; Lust

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 Exhaustion; Capital

Exhaustion; Capital

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 Boy and Jagers in de sneeuw

Boy and Jagers in de sneeuw

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 Boy and De zomer

Boy and De zomer

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 Boy and De parabel der blinden

Boy and De parabel der blinden

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LOIS WEINBERGER

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 ANNOUNCING THE REPRESENTATION OF LOIS WEINBERGER

ANNOUNCING THE REPRESENTATION OF LOIS WEINBERGER

KETELEER GALLERY is very proud to announce the posthumous representation of Lois Weinberger (1947 – 2020, AU).

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 Rebekka Löffler at EMERGENT, Veurne (BE)

Rebekka Löffler at EMERGENT, Veurne (BE)

Rebekka Löffler is part of the group exhibition 'Abstracte kunst bestaat niet' at EMERGENT (BE), curated by Frank Maes.

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 Listen

Listen

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 Seeding Poppy, Acquired Areas

Seeding Poppy, Acquired Areas

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 Green Man

Green Man

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 Paths

Paths

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 Green Man

Green Man

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 Stones

Stones

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 Perfect Makeshift

Perfect Makeshift

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 Tree Sculpture

Tree Sculpture

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 Wild Cube

Wild Cube

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 GALLINAGO GALLINAGO

GALLINAGO GALLINAGO

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 MACROSCELIDIDAE

MACROSCELIDIDAE

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 COMPOSITION: SYLVILAGUS, ERINACEINAE, MUSTELA

COMPOSITION: SYLVILAGUS, ERINACEINAE, MUSTELA

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 CRANIA MMXXI: HYDROCHAERIS, HYSTRICIDAE, RATTUS RATTUS

CRANIA MMXXI: HYDROCHAERIS, HYSTRICIDAE, RATTUS RATTUS

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 COMPARATIVE STUDY WOLF/RACCOON

COMPARATIVE STUDY WOLF/RACCOON

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 ONDATRA ZIBETHICUS

ONDATRA ZIBETHICUS

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 RATTUS NORVEGICUS

RATTUS NORVEGICUS

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 TUMBLING FINCH

TUMBLING FINCH

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 ANAS CRECCA

ANAS CRECCA

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 CRANIA MMXXI PANTHERA LEO, OTARIINAE, HYAENIDAE

CRANIA MMXXI PANTHERA LEO, OTARIINAE, HYAENIDAE

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 COMPOSITION: LEPUS, SCIURIDAE, TAMIAS

COMPOSITION: LEPUS, SCIURIDAE, TAMIAS

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 Leo Copers at Kunstenhuis Harelbeke (BE)

Leo Copers at Kunstenhuis Harelbeke (BE)

Leo Copers is part of the group exhibition FUCK YOU at Kunstenhuis Harelbeke, an exhibition about revolt and protest.

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 RELIEF HÄUSER

RELIEF HÄUSER

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 HERKULES

HERKULES

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 GROSSER KOPF

GROSSER KOPF

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 ADLER

ADLER

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 FRAU MIT ROTEM ROCK

FRAU MIT ROTEM ROCK

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 KLEINES RELIEF FRAU (GRÜNES HEMD)

KLEINES RELIEF FRAU (GRÜNES HEMD)

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 KLEINES RELIEF MANN (ROTES HEMD)

KLEINES RELIEF MANN (ROTES HEMD)

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 RELIEF MANN MIT SCHWARZEM HEMD

RELIEF MANN MIT SCHWARZEM HEMD

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 Hahn & Henne

Hahn & Henne

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 Figur schwarz/weiss

Figur schwarz/weiss

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 BACKYARD by Sybren Vanoverberghe at Platform 6a (BE)

BACKYARD by Sybren Vanoverberghe at Platform 6a (BE)

Sybren Vanoverberghe organised the group exhibition ‘De Deur op een Kier’ together with Deweer Gallery at BACKYARD, the studio he built in Platform 6a, Otegem.

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 Mann mit Kind

Mann mit Kind

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 Leo Copers at Be-Part (BE)

Leo Copers at Be-Part (BE)

Leo Copers is part of the group exhibition 'Frequently the woods are pink' at Be-Part, Waregem

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 FLORIS VAN LOOK

FLORIS VAN LOOK

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 Announcing the representation of Floris Van Look

Announcing the representation of Floris Van Look

KETELEER GALLERY is very proud to announce the representation of Belgian painter Floris Van Look (°1990. Wilrijk, BE).

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 Guillaume Bijl at ING Art Center (BE)

Guillaume Bijl at ING Art Center (BE)

Guillaume Bijl is part of the group exhibition "Hahaha. The Humor of Art." at ING Art Center, organised in collaboration with KANAL and Centre Pompidou.

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 Bjarne Melgaard at Museum Dhondt-Dhaenens (BE)

Bjarne Melgaard at Museum Dhondt-Dhaenens (BE)

Bjarne Melgaard  created a new permanent mural at Museum Dhondt-Dhaenens on the occasion of the reopening of the museum.

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 Jahresringsäule

Jahresringsäule

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 Hochhaus

Hochhaus

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 Grosses Schiff

Grosses Schiff

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 Assistent

Assistent

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 Gorilla

Gorilla

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 Assistent

Assistent

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 Moving Center

Moving Center

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 Mommybox

Mommybox

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 Voorwerpen, achter te laten in treinen

Voorwerpen, achter te laten in treinen

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 Purgatorio

Purgatorio

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 Costruire

Costruire

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 Paradiso

Paradiso

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 Inferno

Inferno

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 Certificate of Death

Certificate of Death

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 Applause

Applause

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 Déjà-Vu : 6th lookalike Convention Poster (Vilnius)

Déjà-Vu : 6th lookalike Convention Poster (Vilnius)

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 Four Marilyn on a Carl Andre Floor Piece (Déjà-Vu: The 2nd Int. Look-Alike Convention At Castello Di Rivoli)

Four Marilyn on a Carl Andre Floor Piece (Déjà-Vu: The 2nd Int. Look-Alike Convention At Castello Di Rivoli)

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 Déjà vu: The 7th Int. Lookalike Convention at Dia’s Fall Gala, Poster (Prototype), Design by ORG inc., New York

Déjà vu: The 7th Int. Lookalike Convention at Dia’s Fall Gala, Poster (Prototype), Design by ORG inc., New York

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 Pollock Blow Up

Pollock Blow Up

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 Material Evidence (Floor)

Material Evidence (Floor)

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 Ohne Titel

Ohne Titel

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 Ohne titel

Ohne titel

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 Ohne Titel

Ohne Titel

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 Tragerin

Tragerin

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 Liegende Frau

Liegende Frau

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 Birkenwäldchen

Birkenwäldchen

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 Ohne Titel

Ohne Titel

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 Ohne Titel

Ohne Titel

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 Paar

Paar

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 MECHELSE FIGHTER

MECHELSE FIGHTER

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 JANUS

JANUS

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 COSMOPOLITAN CHICKEN PROJECT – GENEALOGY

COSMOPOLITAN CHICKEN PROJECT – GENEALOGY

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 PIRAMIDS

PIRAMIDS

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 Mechelse Giant (M) x Dresdner Huhn (F)

Mechelse Giant (M) x Dresdner Huhn (F)

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 NATURE MORTE WITH A BASTION

NATURE MORTE WITH A BASTION

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 Palais des Beaux Arts, 2009, REPROMOTION, Monument #12

Palais des Beaux Arts, 2009, REPROMOTION, Monument #12

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 DENKMAL 70

DENKMAL 70

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 D53 Before Conversion 051123.267 Fig.2G

D53 Before Conversion 051123.267 Fig.2G

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